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The Bestseller Experiment

Join author and screenwriter Mark Stay with coach and entrepreneur Mark Desvaux, as they discover the secrets to writing a bestseller and challenge themselves and you to write, market and self-published a bestselling book in just one year. Each week, they are guided by and interview million-selling, chart-topping authors, publishers on the inside, editors, agents, social media specialists, and many more big names who play a part in the bestseller process. From the writing to marketing, plotting to publishing, learn the secrets to help you write your way to the top of the charts.
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The Bestseller Experiment
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Now displaying: June, 2022
Jun 27, 2022

Lizzy Barber’s critically acclaimed debut novel My Name is Anna won the Daily Mail First Novel competition, and her latest thriller Out of Her Depth is a Richard and Judy book club selection. Lizzy's journey has taken her from winning a Disney writing competition when she was ten, to the Royal Shakespeare Company, to one of the must-read books of the summer. And Mr Stay takes delivery of his new book and gives it a sniff.

Jun 20, 2022
Patricia Gibney has sold over 2 million copies of her Detective Lottie Parker books, and readers worldwide love her stories, but her career started at a very tough time in her life. Patricia left her job of thirty years and was able to work through grief and reignite her love of writing through journaling and drawing. And, post-interview, the Two Marks discuss being brave enough to ask stupid questions. Which they’re both very good at.
Jun 13, 2022
Joanne Harris returns to the podcast with her gripping page-turning thriller A Narrow Door. Joanne answers our listener questions, tells us the importance of human interaction to her writing, why she doesn’t see a distinction between plotting and pantsing, and why ideas are like planets in a solar system. And the Two Marks discuss a chicken-writer analogy that has to be heard to be believed...
Jun 6, 2022
Ian Skewis’s debut novel A Murder of Crows became a no.1 bestseller and was long listed for the Guardian’s Not the Booker Prize. Ian tells us how it all began with a traumatic incident from his childhood, how he developed the story in different media for many years before writing the novel.
 
Please note that suicide is discussed in our interview with Ian. If you don’t to hear about that, please skip the first seven minutes of our conversation.
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