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The Bestseller Experiment

Join author and screenwriter Mark Stay with coach and entrepreneur Mark Desvaux, as they discover the secrets to writing a bestseller and challenge themselves and you to write, market and self-published a bestselling book in just one year. Each week, they are guided by and interview million-selling, chart-topping authors, publishers on the inside, editors, agents, social media specialists, and many more big names who play a part in the bestseller process. From the writing to marketing, plotting to publishing, learn the secrets to help you write your way to the top of the charts.
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The Bestseller Experiment
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Now displaying: October, 2024
Oct 28, 2024

We celebrate international bestselling fantasy writer Joe Abercrombie’s return to the podcast with The Wisdom of Crowds, which brings his Age of Madness trilogy to a thrilling climax. As always, Joe is a treasure trove of amazing advice for writers and he answers our listener questions on outlining, symmetry, POV and much more. We also ask him if he still dances naked in the rain… and his answer might surprise you.

Oct 22, 2024

Sunday Times bestselling thriller writer Steve Cavanagh returns triumphant to the podcast. When we last spoke to him he was on the verge of a great breakthrough. Today he’s an award-winner and international bestseller and with his new thriller The Devil’s Advocate he’s done it again. Steve reveals how he works hard to engage the reader straight away.

Oct 15, 2024

Kate Mosse CBE is a global bestselling author with over 8 million sales. Her previous 10 novels include Labyrinth, which became the highest selling novel of the year and was made into a TV series. She is also founder of the Women’s Prize for Fiction which has changed the landscape for women’s writing over the last 30 years. A full-time carer and author, Kate is a huge inspiration to writers. Her latest novel is The Map of Bones and her theatre tour based on Labyrinth.

Oct 7, 2024

Dean Wesley Smith is one of the most prolific writers working today, with over 200 novels, and countless short stories published. He reveals how he has learned how to stop listening to his critical voice, and to stop thinking of the story as a “product”, and how that has unleashed his creativity.

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